Alchemical Threads
Wearables
2003-2011
Beginning in the aughts a focus of Hubby’s art practice included working with clothing. Beyond repurposing or making wearables from scratch, the long term project also manifested in different ways such as organizing happenings and events, photo installations, publications, and more. Often items of clothing would be from an artist, friend, or a client’s closet and Hubby would reimagine and modify the item, based on her vision of their personality, as was the case for the Chinatown Art Community Portraits, Hubby V, and Hubby & Hee Hee. For her Los Angeles neighborhood celebration CoTour, Hubby created clothing that was inspired by the various locations of the bus tour. The soft works were also sometimes a collaboration, as in the Double Fantasy project. Pictured here are a small selection of the remaining wearables and images from CoTour.
Hubby on the series:
Back in the early 00s through 2008 I was focused on transforming clothes into artful and unique versions of themselves. I incorporated macrame, mirrors, and quilt fragments, free-form abstraction, and used photography or client's personalities as a launching pad for composition and theme. It turned into a thriving business of one-of-a-kind clothing commissions for friends and patrons until I retired the thread trade in 2008 to follow my inspirations to collage, photography and other art forms.
PRESS: ANGELENO
PRESS: THE NEW YORK TIMES STYLE MAGAZINE
PRESS: LA WEEKLY
PRESS: LOS ANGELES TIMES
Selected wearables
photographed by Steven Rimlinger
modeled by Cheyann Washington.
Hubby on Plumb Dandy: “I set out to fuse feminine and masculine essences in lush shades of plum. The silk ruffle has a razored edge and the body of the sleeveless top is a cotton blend.”
Hubby on Suitable: “Day and evening all at once was my aim with this silk and sequin appliqué shirt. The piece plays with the idea of having a perfectly balanced multiple personality.”
Hubby on Torso's Portrait (after Louise Bourgeois): “This hand-cut loose t-shirt is deconstructed with quilt inserts. I enjoy reinvigorating quilting and crochet remnants to give garments new and sensual contexts.”
Hubby on Hedjhotep: “I was inspired to bring a bejeweled armor effect to this sweater to serve as a casual queen’s protective shield.”
Hubby on Fabrication: “This piece is made from scratch from several garments as a glamorized patchwork homage to construction sites.”
Hubby on Fire Hydrant Cape: “This Rag & Bone cape has been embellished with embroidered fire hydrant patches that corresponded with the Hubby Hydrant Shop, which was part of my CoTour happening.”
Hubby on Soft Sculpture: “This piece has a punk glam aesthetic with pieces fraying and coming off of the dress purposefully. The pleather, felt, and fabric strips are salvaged from my soft sculptures from grad school at SVA in 1995.”
Hubby on Beyond, Below (in homage to Lawrence Weiner): “This piece was a part of a collaboration with photographer Mike Slack, and paired with a photo he made of arrows painted on the street. Combined, the photo and the dress are part of the Double Fantasy project.”
Hubby on Straight Line (in homage to Hundertwasser): “This dress is a fanciful, fringed, exotic collage with cut openings that reveal its layers. Wearing it is a mirrored tapestry as a cocktail dress—and the view is always changing—each time it is worn it is unique!”
Hubby on Ziggurat: “This piece was created for the CoTour after party as an homage to the Mexican food served during the celebration. The dress features hand sewn metallic accents and cotton batik inserts from Mexico.”
Hubby on Mein Klein: “The crochet medallion inserts on this cotton puffed sleeve dress create unique flesh and fabric vistas.”
Hubby on Lower chakras: “This silk tuxedo ruffle dress has hand-sewn detailing, mirrors, and crocheted butterfly wings on the back. The color red uplifts as the color black roots.”
Hubby on RCA Cables: “This dress was made for and paired with a polaroid by Mike Slack as a part of Double Fantasy. His photograph featured dangling colored stereo cables, a response to a denim dress I deconstructed with hand-sewn embellishments of mirrors in patterns.”
Hubby on Self-Marriage Movement: “I imagine this playful dress could be used for one’s low key and stress-free wedding to oneself. It is off-white, nodding to it being for someone who doesn’t need to present as completely pure.””
Hubby on Shakti: “This piece features Indian applique hand sewn onto a lightweight wool dress in the modern qipao style. My aim was to intermingle cultures while paying homage to the beauty of both.”
Hubby on The Bad Rancho: “The words were collected, rearranged and poetic phrases emerged: Hell, That Plank Deception State, and Toxic Girl Trouble; The Sex S, and the Bad Rancho, became the dress’ attitude.”
Hubby on Ne Koumpounophobia Pas: “The title means: Not a fear of buttons. This jacket certainly isn’t fearful. A plethora of them were hand sewn to adorning and serve as shoulder, neck and wrist jewelry.”
Hubby on Woke Gypsy: “I deconstructed a vintage, striped jacket by cutting out the underarms and then weaving in large hand-detailed appliqués. It is reminiscent of a circus barker’s garb—but also acts as a piece of art that integrates the skin of the wearer in the pattern.”
Hubby on BoHo's Jazz: “A bohemian intervention on a wool plaid short sleeve jacket, with hand-sewn and cut out patterning and mirror inserts.”
Hubby on Telephone Wires at Night: This Evan Picone men's jacket as been embellished with hand knotted wool accents that mimic the telephone wires in a Mike Slack polaroid for our Double Fantasy project.”